Most complete beginners lose their first month of IELTS preparation. Not to laziness, and usually not to a lack of English. They lose it because they start studying before they know where they are standing, so every hour goes into whatever felt most urgent that day. Four weeks later they have done a lot of work and cannot tell you a single number that has changed. This guide is a real first four weeks: what to measure before you study anything, what week one should look like compared with week four, how much daily time actually moves a band, and the beginner habits that quietly eat months.
#The test in ninety seconds
You need this much and no more before you start.
IELTS has four modules. Listening is 30 minutes, 40 questions, four recorded sections that get harder as they go. Reading is 60 minutes, 40 questions, three passages, with no extra time to transfer anything. Writing is 60 minutes and two tasks: a shorter Task 1 and a longer Task 2 essay, which is worth twice as much. Speaking is 11 to 14 minutes face to face with an examiner, in three parts.
Each module gets a band from 1 to 9 in half band steps. Your overall band is the average of the four, rounded to the nearest half band, with a quarter rounding up. Listening and Reading are marked against an answer key, so the band comes straight from how many of the 40 answers are correct. Writing and Speaking are marked by a human against published band descriptors, four criteria each.
That difference between the two pairs is the most important structural fact about IELTS and almost nobody tells beginners about it on day one. It shapes everything below.
There are two versions of the test: Academic and General Training. Listening and Speaking are the same in both. Reading and Writing are different. Universities usually want Academic and most immigration and work routes want General Training, but there are exceptions and getting this wrong makes your score useless, so confirm it with whoever will receive your result before you book anything. See our guide to Academic versus General Training if you are not sure.
Booking itself is simple: choose a test centre, choose computer delivered or paper, pay, bring the same identity document you registered with. Do not book yet. Read the next section first.
#Step zero: find your real starting band before you study anything
If you take one thing from this article, take this. Do not open a textbook, buy a course or write a study plan until you have four numbers.
Beginners are consistently bad at guessing their own level, and they are bad in a patterned way. People overestimate Speaking, because conversation feels fluent when the other person is being kind and doing half the work. People underestimate Listening, because nothing in daily life tells you that you missed something. And almost everyone underestimates how much of their Reading score is a clock problem rather than an English problem.
You can fix all of that in one evening. Here is the baseline session.
- One full Listening test, timed, no pausing, no replaying. Score it out of 40. Playing a section twice feels like studying. It is not measuring, and this evening is for measuring.
- One full Reading test, strictly 60 minutes. Stop at 60 even if you are not finished, and mark how far you got. Where you stopped is data.
- One Task 2 essay in 40 minutes, on a real question, with no dictionary and no help.
- One recorded Part 2 answer. Pick a cue card, one minute to prepare, speak for two minutes, record it on your phone. Do not delete it. You will want it in week four.
Now turn the raw scores into bands. For Listening the standard published conversion runs roughly: 23 to 25 correct is Band 6.0, 26 to 29 is 6.5, 30 to 31 is 7.0, 32 to 34 is 7.5, 35 to 36 is 8.0. Academic Reading is a little stricter in the middle: 23 to 26 is 6.0, 27 to 29 is 6.5, 30 to 32 is 7.0, 33 to 34 is 7.5. These are indicative and the exact cut can vary slightly by test version, but they are close enough to plan with.
For the essay and the recording you need marking, and self marking is unreliable when you have never seen the descriptors before. The free 3 minute diagnostic scores one writing or speaking answer against the official public band descriptors and shows which criterion is holding the number down. That is the number you plan from.
Write the four bands down with today's date. This is the only honest starting point you will ever get, because after this week you will have started practising and you will never be a clean baseline again.
#What the four numbers tell you, and what they do not
Beginners look at four numbers and immediately average them. Do not average them yet. Look at the shape.
The gap between your best and worst module is your plan. If Listening is 6.5 and Writing is 5.0, your overall band is being held down by Writing far more than it is being helped by Listening, and another half band in Listening is worth exactly as much as another half band in Writing on the average, while being much easier to get. Both facts are true at once, and holding both is what stops you from wasting a month.
Objective modules tell you about mechanics. Marked modules tell you about habits. A low Listening score is usually spelling, word limits, and getting caught by a speaker correcting themselves. A low Writing score is usually structure and clarity of position. These need completely different kinds of work.
Where you stopped in Reading matters more than what you scored. If you only reached question 27 in 60 minutes, your reading band is not measuring your English at all. It is measuring your pacing, and pacing is the fastest thing on this entire list to fix.
#Week 1: format, mechanics and the answer sheet
The goal of week one is not improvement. It is to stop losing marks you were never going to lose for a language reason.
Spend the week on question types and rules rather than on volume. Do short pieces of practice, one question type at a time, and read the explanation for every single answer, including the ones you got right. Getting an answer right for the wrong reason is a mark you will lose next time.
The mechanical rules to nail down this week:
- Word limits. "NO MORE THAN TWO WORDS AND/OR A NUMBER" means three words scores zero, even when the three words are correct. Across the note and form completion sheets in our own listening bank, 95 say ONE WORD AND/OR A NUMBER and 58 say NO MORE THAN TWO WORDS AND/OR A NUMBER, so both are common and you must read the instruction every time rather than assuming.
- Spelling counts. A misspelled answer is wrong in Listening and Reading, with no partial credit. British and American spellings are both accepted.
- Plurals count. The sentence on the page tells you whether the answer is singular or plural. Read the gap, not just the question.
- Do not repeat words already printed. If the sheet says "Course fee: pounds ___", the answer is the number.
- Transfer time. On paper you get 10 extra minutes at the end of Listening to copy answers onto the answer sheet. On computer you type directly and get about two minutes to review. Practise in the format you will sit.
Also in week one: read the official public band descriptors for Writing Task 2 and Speaking once, slowly. They are free and they are the actual rulebook. You will not remember them all. You only need to notice that Band 7 Task Response asks for "a clear position throughout the response", which is a specific behaviour you can copy, not a vague quality you have to earn.
#Week 2: one module deep, and the review habit
Week two is where most people go wrong, so be deliberate.
Pick the module with the largest gap between where you are and where you need to be, and give it roughly half of your week. Spread the rest across the others so nothing goes cold. Do not pick the module you enjoy. More on that below, because it is the single most common way beginners waste months.
This is also the week to install the habit that makes the other three weeks work: for every 30 minutes of practice, spend 30 minutes on review. Not roughly. Actually.
Review means, for each wrong answer, writing down three things: what you answered, what the answer was, and the specific reason for the difference. "Careless" is not a reason. "I wrote the first number I heard and the speaker corrected it two seconds later" is a reason, because it names something you can train.
That naming step is worth doing properly, because listening errors fall into a small number of repeating patterns. In our own listening bank the explanation for every question tags the trap it uses, and across 920 tagged questions the pattern is stark: distractor detail accounts for 431 and a corrected number or date accounts for 208. Nearly two thirds of the tagged traps are those two. Once you can name them, you stop falling for them, and that is a faster route to marks than more listening hours. Our guide to listening distractors walks through each pattern.
#Week 3: the clock
Week three is when everything goes on a timer.
Until now it is fine to work slowly, because you are learning what the questions are. From week three, untimed practice starts training the wrong skill. Reading is the obvious case: a candidate who finishes the paper scores near their true level and a candidate who does not, does not, and the difference is not vocabulary. Practise three passages in 60 minutes with a rough split of 15, 20 and 25 minutes, and treat running out of time as the error to fix, not as a detail.
Writing goes on the clock too. Task 1 in 20 minutes, Task 2 in 40. Beginners routinely write good essays in 70 minutes and then discover on test day that they have never once finished in 60.
Speaking gets a timer in a different way: Part 2 is one minute of preparation and up to two minutes of talking, and two minutes is much longer than it sounds. Record yourself hitting the full two minutes three times this week.
#Week 4: a full test, then a rebuild
At the start of week four, sit a full test in one session in the right order: Listening, Reading, Writing, then Speaking practice separately. No breaks in the middle, no phone, no restarting a section.
The point is not the score. The point is that the four modules interact. Most beginners discover in week four that their Writing is fine when it is the only thing they have done that morning and much worse after 90 minutes of Listening and Reading. That is real and it is a training problem you can only find this way.
Then spend the rest of the week on the rebuild, which is the most valuable single day in these four weeks:
- Compare the four bands against the four you wrote down on day one.
- Listen to your day one Part 2 recording, then to this week's. This is usually the moment people realise something has changed, because speaking progress is invisible from the inside.
- Go through your review notes and count which named error appeared most often. That single error is your priority for the next block, ahead of anything that feels more important.
- Only now decide whether to book a test date, and pick the date from your evidence rather than from your hope.
#How much daily time actually moves a band
The honest answer is that the number of hours matters less than what those hours contain, and most beginners have the ratio backwards.
Forty five to sixty focused minutes a day, split evenly between practice and review, does more than three hours of unreviewed practice. Three hours of mock tests with no review is close to zero learning: you are rehearsing your current habits at high volume, including the wrong ones. It also burns out fast, which is why people who start with a three hour plan are often doing nothing by week three.
Some practical shape for those minutes:
- Daily beats weekly. Six days of 45 minutes beats one Sunday of five hours, because listening and speaking are physical skills and they decay between sessions.
- Put the hard module first in your session, not last.
- Ten minutes of speaking out loud every day, even alone, is worth more than an hour of reading about speaking.
- Take one day off a week. Plans without a rest day get abandoned, and an abandoned plan scores nothing.
Nobody can tell you how many weeks a band takes, because it depends on your starting point, your first language, how much English is already in your daily life and how honestly you review. Anyone who gives you a guaranteed number of bands in a guaranteed number of weeks is selling something. What you can control is the measurement, and if you measure every four weeks you will know your own rate rather than somebody else's average.
#The beginner mistakes that waste months
Memorising model essays. This is the most expensive mistake in IELTS preparation, and it is expensive because it feels productive. A memorised essay is written for a different question, so it does not address the specific task in front of you, and Task Response is the criterion that punishes exactly that. Markers read enormous numbers of scripts and recognise learned material quickly, and an answer that drifts off the actual question is capped regardless of how good the English is. Learn structures and useful sentence patterns. Do not learn paragraphs.
Doing mock test after mock test with no review. A mock test measures. It does not teach. If you sit ten tests and review none of them, you will get ten data points and no improvement, and you will have used the material up: there is no way to re sit a test you have already seen and learn much from it.
Studying the module you already like. This is the quiet one. Practice drifts towards whatever is most enjoyable, and what is most enjoyable is what you are already good at. An extra half band in your best module is worth exactly the same on the average as an extra half band in your worst one, and it is much harder to get, because scores get harder to move the higher they are. Track your hours per module for one week and most people are unpleasantly surprised.
Collecting vocabulary you never use. A list of 500 advanced words that you cannot use in a sentence adds nothing to your band. Lexical Resource rewards precision and natural collocation, not rarity, and a rare word used slightly wrongly is worse than a common word used well. Learn ten words a week, in phrases, and force each one into a piece of writing or speaking within two days.
Practising speaking silently. Rehearsing answers in your head trains nothing, because the difficulty in Speaking is producing sound in real time under mild stress. Say it out loud, record it, and listen back even though the first time is uncomfortable.
Booking the test before the baseline. A test date is a deadline, and a deadline is useful, but only once you know how far you have to travel. Book after your first measured week, not before it.
#Where to practise
You need enough material that you never have to reuse a test you have already seen. BandNine's free practice covers 280 listening exercises, 355 reading practices, 287 writing tasks and 81 speaking prompts. Listening and reading run in the real computer delivered layout, and every listening answer you miss comes with an explanation of the trap that caught you. Start with free listening practice for the objective mechanics and the free 3 minute diagnostic for the marked modules.
One last thing about trusting any tool, including this one. Automated scoring is useful for direction and for speed, and it is not the same as an examiner. We publish our scoring accuracy against a fixed calibration set every week on our quality page, including the weeks the number looks bad, because a marking tool that will not show you its error rate is asking for more trust than it has earned. Use the feedback to find the criterion that is costing you marks. Use a real test to find your band.
#Your first four weeks, in one paragraph
Measure four bands before you study anything. Spend week one on format, word limits, spelling and the descriptors. Spend week two going deep on your weakest module and installing a review habit of one minute of review for every minute of practice. Put everything on a timer in week three. Sit a full test at the start of week four, compare it against day one, and let the most frequent named error in your notes choose what you do next. Four weeks of that will tell you more about your IELTS score than four months of unmeasured studying.
